
Lead: Student restaurant furniture. The semi-private dining space next to the bar is separated by a silk screen. The embroidery on the silk and the hand-painted black and white pen and ink are intertwined into a light bamboo forest, which makes people feel like poetry and painting in the oriental sense.
Today, the restaurant furniture will take you to know. Mei Ume, the restaurant of the Four Seasons Hotel, London's Trinity Square, is located in the trading port area of the 1920s. It was originally the 1922 headquarters of the London Port Authority, which used to trade tea, silk and ceramics in the former British and Eastern countries. The trade of goods, etc. Taking advantage of this trade history background, the designer has created a restaurant with a blend of Eastern and Western cultures while preserving the traces of history to the utmost.

在对建筑进行翻新时,保留了1922年伦敦港务局总部大楼的所有柱子。设计师沿着建筑原始轮廓设置了金属托架,不仅保留了原有的历史风味,还增强了功能性,特别是为安装照明提供了额外的支撑。餐厅名为“梅乌姆”,源自中日两国的“樱花”。

从美柚入口开始,人们的目光会聚焦于由珐琅绘制的樱桃屏,中式屏风悬挂在两列科林斯柱之间,东西方世界交融,清晰的主题表达了这个空间的独特特色,引领人们进入一个充满文化历史的空间。
Student Restaurant Furniture - Theme The main hall is the theme of the bright red tones that symbolize joy and joy in Chinese culture. The most striking decoration is a set of gold-plated triptych that is adorned with red lacquer frames at both ends, which complements Chinese culture and fashion. The wind direction remains tacit. On the left side of the Mei Ume restaurant is a complex bar and private dining room. The ebony wood and white marble grille floors simply divide the bar, the exchange area and the dining area. The bar is based on a Chinese-style pavilion, with lanterns painted in glass and black metal. The semi-private dining space next to the bar is separated by a silk screen. The embroidery on the silk and the hand-painted black and white pen and ink are intertwined into a light bamboo forest, which makes people feel like poetry and painting in the oriental sense.

Student Restaurant Furniture - Concept From the bar to the right, people enter the dining area through an intermediate walkway. Here, the first thing that comes to mind is the red detail embellishment that represents the concept of Chinese culture "Geely". In order to avoid the use of too modern projectors in historic buildings, the designer has custom-made lighting that matches the historical appearance and echoes the plump red of the dining area chairs and sofas. While dining, one can look out over the hotel's courtyard from the window and admire the traditional British character of this British Grade II listed building.